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color: #444444; font-family: Arimo, sans-serif; font-size: 18px; padding: 72px 0px; position: relative;"><main class="section-inner clear" role="main" style="box-sizing: border-box; margin: 0px auto; max-width: 90%; width: 1400px;"><div class="content clear center" id="content" style="box-sizing: border-box; margin: 0px auto; max-width: 100%; width: 944px;"><article class="post-547 post type-post status-publish format-standard hentry category-non-classe clear" id="post-547" style="background: rgb(255, 255, 255); border-radius: 3px; box-shadow: rgba(0, 0, 0, 0.1) 0px 1px 4px; box-sizing: border-box; overflow: hidden; width: 944px;"><header class="post-header" style="border-bottom: 1px solid rgb(238, 238, 238); box-sizing: border-box; padding: 75.5156px 94.3906px; position: relative;"><h1 class="post-title entry-title" style="border: 0px; box-sizing: border-box; color: #2b3542; font-family: "PT Sans", sans-serif; font-size: 2.25em; font-weight: 400; line-height: 48.6px; margin: 0px; overflow-wrap: break-word; padding: 0px;"><a href="https://auretourduflaneurlesfenetres.wordpress.com/2020/07/01/la-baie-de-tous-les-reves/" rel="bookmark" style="box-sizing: border-box; color: #13c4a5; outline: rgb(51, 51, 51) dotted 1px; text-decoration-line: none; transition: color 0.2s ease-in-out 0s, background-color 0s ease 0s, left 0s ease 0s, right 0s ease 0s, opacity 0s ease 0s;">La baie de tous les rêves</a></h1></header><div class="post-content clear" style="box-sizing: border-box; padding: 94.3906px;"><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">par <a href="https://auretourduflaneurlesfenetres.wordpress.com/licia-soares-de-souza/" style="box-sizing: border-box; color: #13c4a5; margin-bottom: 0px; text-decoration-line: none; transition: color 0.1s ease-in-out 0s, background-color 0.1s ease-in-out 0s;">Licia Soares de Souza</a></p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;"><img alt="licia-final" class="alignnone size-full wp-image-552" data-attachment-id="552" data-comments-opened="1" data-image-description="" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="licia-final" data-large-file="https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=736" data-medium-file="https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=300" data-orig-file="https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg" data-orig-size="775,395" data-permalink="https://auretourduflaneurlesfenetres.wordpress.com/2020/07/01/la-baie-de-tous-les-reves/licia-final/" sizes="(max-width: 736px) 100vw, 736px" src="https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=736" srcset="https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=736 736w, https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=150 150w, https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=300 300w, https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg?w=768 768w, https://auretourduflaneurlesfenetres.files.wordpress.com/2020/06/licia-final.jpg 775w" style="border: 0px; box-sizing: border-box; font-family: inherit; height: auto; line-height: 1; margin: 0px; max-width: 100%; padding: 0px;" /></p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">La Covid-19 m’a prise au dépourvu, après plusieurs journées dans les rues des carnavals de Bahia et de Rio de Janeiro. La première image que j’ai retenue de cet exil intérieur insolite a été celle d’une baie ronde et bleue contemplée par l’embrasure carrée d’une fenêtre. J’ai toujours aimé prendre des photos de l’intérieur des monuments que je visitais. Il s’agissait pour moi de capter des fragments de paysages, comme si je pouvais saisir certaines relations qui les réunissent. J’ai une série de photos prises dans le Château de Chenonceau, en France. Il y en a une en particulier que je regarde souvent. Elle donne sur le Cher; l’extrémité des grilles qui protègent la fenêtre de la Chambre de Catherine de Médicis est recouverte de rouille. Rien de plus curieux que d’observer, par suite de l’action du temps, la progressive détérioration du métal de la grille ouvragée qui s’interpose entre un regard et l’eau du front transparent de la rivière.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">Mon appartement est situé dans la ville haute de Salvador de Bahia; au sixième étage; il a cinq fenêtres. Trois donnent sur une rue dont le nom, 7 septembre, est la date de l’indépendance du pays. C’est le côté du lever du soleil. On y voit des immeubles et une frange de l’Atlantique à l’horizon, là où chaque journée se renouvelle continuellement. De ce côté-là, la ventilation tempère le logement et fait tournoyer tous les objets légers qu’on néglige sur les commodes.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">De l’autre côté, j’ai deux fenêtres qui donnent sur la Baie de Tous les Saints. Celle-ci est circulaire, abrite 54 îles, dont la plus grande se trouve devant la ville (36 km), la plus proche du continent, à l’opposé de la ville. Le crépuscule donne l’impression que le soleil se couche sur la mer. C’est le côté de la chaleur, où l’air ne circule que pendant les mois d’hiver, en juillet et août. Il faut savoir que, sous les tropiques, le côté du crépuscule, en été, est brûlant. Le soleil tape fort tous les après-midis et la chaleur sévit jusqu’à l’aube.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">Une fenêtre pour moi, c’est comme une demi-porte. À l’origine le mot <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">fenestre</em> évoque le passage, et c’est bien une traversée par le regard qui nous mène bien au-delà du cadre de notre logement, voire même de notre monde intérieur.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">La fenêtre s’apparente parfois à une page-écran. Du côté de la rue, j’assiste aux défilés de toutes les fêtes de la ville. Une masse multicolore monte et déferle comme l’ondoiement dynamique d’un paysage. Le confinement me fait voir, toutefois, une rue déserte, par où passe, de temps en temps, un fou qui brise le silence en s’égosillant, hurlant son malaise d’être au monde. Cela donne bien une sensation d’attente en solitaire, une attente bien désespérée de ce qui a pu disparaître.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">Je m’en vais de l’autre côté. La baie a toujours été piquetée de bateaux et de yachts laissant sur l’eau les traînées droites ou sinueuses de leur va-et-vient. Au coucher du soleil, on entend les sirènes des bateaux de croisière qui appareillent; pendant la nuit les cargos restent allumés comme s’ils étaient des bijoux apposés sur un miroir noir, jusqu’à ce que le clair de la lune étende son satin blanc servant de lice de création aux chants joyeux s’échappant des bars éparpillés autour de la baie. Les rêveurs sur une telle fenêtre notent le jeu des sonorités et la souplesse des rythmes des foules qui traversent continuellement de la ville vers l’île d’Itaparica (ceinture de pierres en langue amérindienne). C’est un bercement qui engendre mille joies, installant les êtres au cœur d’un éternel loisir.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">Avec le confinement, cependant, par la fenêtre la vue plonge sur une baie quasi morte, dépouillée de ses bijoux lumineux, la tête courbée devant la menace de mort. Comment mieux dire que l’intuition rêveuse liée à cette fenêtre persiste en dépit des circonstances adverses? Les autorités interdisent les traversées et embarrassent les rêveries, mais l’imagination créatrice est en travail : c’est elle qui doit apporter à mon embrasure son lot d’impressions vivantes. Il faut donc qu’à chaque nouveau point de vue naisse un nouveau chemin, et que chaque chemin soit à même de remporter ses victoires symboliques. Le voyage vers l’absence épuise à cause des bouleversements sensibles qu’il provoque, mais rend l’individu attentif à ce qui pourrait se présenter comme des expériences de non-être.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;">On souffre du plaisir du passé et on ressent un plaisir en souffrant de ce manque du passé. Il y a alors coexistence d’une présence et d’une absence, d’une souffrance et d’un plaisir, ce que les Portugais ont désigné sous le nom de <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">saudade. </em> Certains disent qu’il est malaisé de comprendre ce sentiment lusitanien, mais je peux le ressentir, quand je suis à ma fenêtre. Je suis malheureuse d’avoir été heureuse, et je suis pourtant heureuse de pouvoir me remémorer ce bonheur passé, et être ravie de combler l’absence du présent par les images intérieures d’une expérience de vie si intense.</p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;"><br /></p><p style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 32.4px; margin: 0px 0px 1.1em; overflow-wrap: break-word; padding: 0px;"><a href="https://auretourduflaneurlesfenetres.wordpress.com/2020/07/01/la-baie-de-tous-les-reves/">https://auretourduflaneurlesfenetres.wordpress.com/2020/07/01/la-baie-de-tous-les-reves/</a></p></div></article></div></main></div>Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-63499721130564850902020-07-31T09:00:00.008-07:002020-10-10T09:35:35.351-07:00LIVES DE NARRADORES DO SERTãO<div class="separator" style="clear: both; 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<img alt="20181228_145219" src="https://auretourduflaneurlesarbres.files.wordpress.com/2019/06/20181228_145219.jpg?w=736" /> D'aussi loin que je me souvienne, je me vois comme une enfant couchée dans un hamac. J’observe un ciel bleu foncé à travers des palmes de cocotier qui balancent doucement sous une brise maritime qui tempère la chaleur des après-midis d’été. Je suis au bord d’une plage de l’Atlantique. Je ne sais pas que le cocotier de mes terres est un immigrant. Il est en effet venu des côtes asiennes, mais on ne sait pas vraiment d’où ni comment. Ce que l’on sait, c’est qu’il est maintenant le roi des côtes brésiliennes. Le paysage estival s’y définit en fonction des <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">coqueirais </em>qui s’y répandent. Les botanistes disent qu’il n’est pas un arbre, mais une plante spéciale. Une plante qui donne tout son sens à l’idée de verticalité et d’ascension existentielle. On innove constamment pour trouver de nouvelles façons de grimper à un cocotier. Les nouvelles technologies aident à diffuser toute sorte de produits sportifs permettant d’accéder à ce sommet de vie et de bonheur. En fait, on grimpe plus pour cueillir le fruit, la noix de coco, que pour l’amour du sport. Un proverbe circule au Brésil : « Plus le cocotier est long, plus fatale est la chute ». Dans le sens métaphorique, cela évoque aussi l’ampleur d’une déchéance morale, une grosse déception, par exemple, émanant de là où on ne l’attend pas.</div>
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Même si les origines du cocotier sont entourées de mystères, les chroniqueurs portugais se sont attribué le mérite du baptême du végétal. Le mot <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">coco</em> viendrait d’un verbe <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">cocar</em>signifiant sourire, faire une grimace. Une chose est certaine, la noix de coco assure le gagne-pain de millions d’hommes et de femmes, éparpillés sur les côtes brésiliennes. On boit sa merveilleuse eau et on déguste sa chair pendant toute l’année. C’est probablement la boisson la plus consommée au pays. En outre, ils font des tressages avec ses longues feuilles pour construire des toits de maisons, fabriquer des sacs, des objets décoratifs, des paniers, etc. La noix de <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">coco</em> produit aussi de l’huile pour la gastronomie brésilienne, ainsi que des huiles pour les cheveux, des crèmes corporelles et médicales.</div>
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Le voyage au pays des noix de <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">coco</em> est merveilleux. Il dévoile une sensibilité aux sons et aux couleurs des paysages maritimes. Associés au vert de ses feuilles, se présentent également le bleu de la mer avec ses moutons et tous les tons de blanc et de jaune du sable. S’adosser au stipe de cette plante connote une sorte d’ensablement qui nous conduit vers un relâchement des forces vitales. Ne nous confie-t-il pas que rien n’est plus tonifiant que cette posture reposante témoignant d’une intime liaison avec des grains de sable provenant de la décomposition de roches, coquilles, minéraux, effectuée par l’eau salée de la mer? Sur une plage, on célèbre une espèce de bonheur radieux, réchauffé par les rayons dorés du soleil qui illumine le ciel contemplé à travers les couronnes de feuilles des cocotiers. Les rêveries maritimes nous écartent des imaginaires du quotidien : elles éveillent les plus vives impressions de la fuite comprise comme synonyme de liberté, création, innovation. C’est alors que se trouvent rassemblées les conditions pour admirer un paysage, pour en ressentir l’alliance esthétique entre un rêveur et son monde.</div>
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Il est vrai que, parfois, l’ardent soleil châtie l’espace sablonneux entre les <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">coqueirais</em> et la mer. La chaleur écorche nos semelles. Dans ces conditions, courir jusqu’à l’eau exige une bonne forme physique. Un bon imaginaire n’est pas souvent harmonieux, et il est le théâtre de conflits entre l’extérieur et la protection intérieure. La lutte entre l’humain et sa nature ramène précisément les rêveurs dans le règne de la vastitude sans bord qui dynamise leur présence au monde. Nous avons toujours constaté que l’imagerie donne aussi une prise aux humains leur permettant d’explorer leur environnement, même s’ils sont sur les sentiers de la fuite.</div>
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Combien de fois ai-je essayé de grimper à un cocotier sans succès? Les techniques pour ce faire sont très difficiles à maîtriser. J’ai même l’impression que ce sont des mouvements pour hommes, car je n’ai jamais vu de femmes le faire. Pour moi, la richesse géopoétique de la hauteur d’un cocotier se mesure quand je suis couchée dans mon hamac et contemple la superposition de la couronne de feuilles vertes sur la bleuité du ciel. Évidemment, le chant des oiseaux et le bruit des vagues de la mer sonorisent ce genre de paysage qui m’habite depuis l’enfance.</div>
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Puis, la nuit tombe. À travers les feuilles des cocotiers, il est possible de voir la Croix du Sud : une constellation de cinquante-quatre étoiles, dont dix-huit sont visibles à l’œil nu, mais dont cinq seulement brillent intensément pour former une croix dont la grande branche est orientée vers l’hémisphère Sud. Cette branche a orienté les navigateurs portugais du XVIe siècle se dirigeant vers le Brésil, et, grâce à elle, ils ont découvert cet immense littoral habité par de grands palmiers féconds. Pour les Brésiliens, ces étoiles sont entrelacées les unes avec les autres par des liens qui ont tous des sentiments et des valeurs, à un tel point que l’une dépend de l’autre et trace la route à ces sentiments et à ces sensations qui les animent.</div>
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Finalement, on essaie de tisser des harmonies, à travers la rêverie, concernant les <em style="border: 0px; box-sizing: border-box; font-family: inherit; line-height: 1; margin: 0px; padding: 0px;">coqueirais,</em>et tout se met à communiquer et à se recouvrir, les bruits de la nature, et nos mots, un jeu de sonorités qui donne une idée de nos relations au monde. C’est la rêverie marine, identifiée aux idées de changement, de bouleversement ou de liberté, qui contribue à la tension que nous vivons au jour le jour, déchirés que nous sommes entre l’appel de l’ailleurs et l’attrait de l’ici.</div>
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<span style="background-color: white; color: #2e4467; font-family: inherit; font-size: 12px;">Confidentialité & Cookies : Ce site utilise des cookies. En continuant à utiliser ce site, vous acceptez leur utilisation.</span>al/<a href="https://auretourduflaneurlesarbres.wordpress.com/2019/06/26/voyager-dans-un-coqueiral/" target="_blank">https://auretourduflaneurlesarbres.wordpress.com/2019/06/26/voyager-dans-un-coqueiral/</a>Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-89895359805252173092019-08-17T09:44:00.004-07:002019-08-17T09:44:59.559-07:00DER ATEM DER GEFÜHLE<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 14px;">Der Atem der Gefühle fala da respiração de sentimentos. Prazeres e dores pulsaram, circularam e incomodaram... A autora tem uma visão poética da experiência sensível de seu corpo e alma, de seu estar no mundo, de seu estar com o outro. Privilegia, porém, a intimidade com as palavras que sabem se desgarrar dos referentes concretos de seus gritos de ânsia, podem se articular umas com as outras, devem revelar o próprio fazer poético.... Aqui, muitos poemas falam da natureza, de viagens em um barco que transporta expectativas de amor .... O barco navega, testemunha a mudança de identidade dos amantes que se entregam, o barco geme, canta e valseia nas águas dos destinos que se entrecruzam.... Fruto de experiências em atividades extraclasse do Instituto Cultural Brasil Alemanha de Salvador, na Bahia, que esta antologia poética possa agradar a professores, alunos e simpatizantes da língua alemã que parece ter sido criada para o amor.</span><br />
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<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 14px;"><br /></span>Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-18841371572829503162019-08-17T09:33:00.000-07:002019-08-17T09:33:04.858-07:00Imaginaires Transculturels entre le Canada et le Brésil<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWvuUCXbQYD7CxPiud29Ub_NGgPdgkU-r0TTIBo-yQ5ZbAFwnztTB1hiVlcIZmlzgHJ0wqKkchCzNN8YQJ7L8PiRXBGpwaTdmpxAmAG6BFOQRXvY7GndLUsIBqcHPEbIgnL5NlDT4C8TA/s1600/transculturel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="419" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWvuUCXbQYD7CxPiud29Ub_NGgPdgkU-r0TTIBo-yQ5ZbAFwnztTB1hiVlcIZmlzgHJ0wqKkchCzNN8YQJ7L8PiRXBGpwaTdmpxAmAG6BFOQRXvY7GndLUsIBqcHPEbIgnL5NlDT4C8TA/s320/transculturel.jpg" width="223" /></a></div>
<a href="http://https//www.societedesecrivains.com/imaginaires-transculturels-entre-le-canada-et-le-bresil.html/"></a>https://www.societedesecrivains.com/imaginaires-transculturels-entre-le-canada-et-le-bresil.html/"><br />
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« Ces romans défont et construisent tout à la fois, par une ambiguïté toujours vivace, les noyaux symboliques qui s'amalgament pour fonder ce qu'on peut appeler les espaces-gigognes. Si les charnières montrent la nature des contacts, les gigognes font ressortir les modes d'emboîtement signique qui président aux symétries et/ou asymétries entre les frontières et les centres des sémiosphères. » L'essai de littérature comparée de Licia Soares de Souza rassemble les conclusions de ses recherches menées dans le cadre de colloques universitaires au Brésil, en France, au Québec et au Manitoba. Il vise à rendre compte des fructueux échanges culturels entre le Brésil et le Canada, et plus particulièrement des relations littéraires interaméricaines. À travers l'analyse comparative de plusieurs romans, la chercheuse révèle la présence de similitudes frappantes dans la représentation des rébellions métisses du XIXe siècle menées au Canada par Louis Riel et au Brésil par Antonio Conselheiro. Sa réflexion autour du transculturalisme des Amériques traite également des problématiques de l'espace urbain en prenant comme exemples Montréal et São Paulo.</div>
Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-20348447585537423492019-07-06T19:24:00.000-07:002019-07-06T19:24:35.906-07:00Écrivaines et Mondialisation. ACFAS 2019<br />
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">87ème Congrès de l’ACFAS<o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">Université du Québec
à Outaouais<o:p></o:p></span></div>
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<span lang="PT-BR" style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 107%; mso-ansi-language: PT-BR; mso-themecolor: text1;">Mai 2019<o:p></o:p></span></div>
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<span style="border: none windowtext 1.0pt; color: black; mso-border-alt: none windowtext 0cm; mso-themecolor: text1; padding: 0cm;">Le Colloque a commencé à 9h du 27 mai dans le cadre du 87<sup>ème</sup> Congrès
International de l’ACFAS, à l’Université du Québec à Outaouais. Après le mot
d’ouverture, quand les organisatrices ont souhaité la bienvenue aux
participants, les séances de communication ont commencé, selon le programme
ci-joint. Comme nous pouvons le voir, le colloque a regroupé des
chercheurs des universités du Québec, et aussi de
l’Europe, Turquie et Brésil.</span><span style="color: black; font-family: "Calibri",sans-serif; font-size: 11.0pt; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="border: none windowtext 1.0pt; color: black; mso-border-alt: none windowtext 0cm; mso-themecolor: text1; padding: 0cm;">J’ai prononcé ma communication
intitulée <i>Montréal et Salvador dans la dynamique narrative de Monique
Proulx et Inês Pedrosa. </i></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">Cette
communication examine comment deux écrivaines, l’une du Québec, l’autre du
Portugal/Brésil, collaborent à la féminisation de la littérature contemporaine
par le prisme de leurs réflexions sur certains déplacements
historico-symboliques, tout en mettant en lumière le formidable réseau de
savoirs qui circulent dans ces espaces du continent américain depuis la colonisation.<o:p></o:p></span></div>
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</span>La première écrivaine que nous présentons est Monique Proulx. <span style="background: white;">Native du Québec, elle a obtenu un baccalauréat en
littérature et en théâtre de l’Université Laval. Devenue professeur de français
et animatrice de théâtre, elle s’est orientée plus intensivement vers
l’écriture. Sa première publication est un recueil de nouvelles intitulé
« Sans cœur et sans reproche » (1983). En 1996, elle a signé un
deuxième recueil de nouvelles : « Les Aurores montréales ». Elle est
également l’auteur de romans comme « Le Sexe des étoiles » (1987),
qui est adapté au cinéma. Elle a été honorée à maintes reprises pour ses
œuvres, notamment « Sans cœur et sans reproche » pour laquelle elle a
reçu en 1983 le prix Adrienne-Choquette et le prix littéraire Desjardins. J’ai
travaillé sur son dernier roman <i><span style="mso-spacerun: yes;"> </span>Ce
qu’il reste de moi, </i><span style="mso-spacerun: yes;"> </span>de 2015.<o:p></o:p></span></span></div>
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<span style="background: white; color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;"><span style="mso-spacerun: yes;"> </span>La deuxième écrivaine est Inês Pedrosa,
d’origine portugaise, qui a obtenu une licence en communication à l’Université
Nouvelle de Lisbonne. Journaliste et auteure de plusieurs récits pour enfants,
et de chroniques féministes, elle a milité contre la criminalisation de
l’avortement et pour le mariage de personnes du même sexe. Elle a été la
leadeuse de la Marche de la fierté Gay em 2005, à Lisbonne. En 2008, elle a
publié le roman <i style="mso-bidi-font-style: normal;">A Eternidade e o Desejo
(L’Éternité et le Désir) </i><span style="mso-spacerun: yes;"> </span>qui se
déroule dans la ville de Salvador, première capitale du Brésil, qu’elle avait
visitée quelques années auparavant.<o:p></o:p></span></div>
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<span style="background: white; color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;"><span style="mso-spacerun: yes;"> </span>Proulx et Pedrosa abordent un
imaginaire de mouvance, tout en mettant en évidence </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">une multiplicité de trajectoires qui fonctionnent
comme des connexions contradictoires, souvent inespérées, et des croisements de
narratives formant des espaces toujours en conflit. Elles soulignent
l’instabilité des formations sociales, grâce à l’asymétrie entre l’imaginaire
culturel et la mobilité des réseaux historiques. Elles font ressortir, de la
sorte, les ambivalences des écritures des mouvements migrants qui ont marqué
les métissages issus des rencontres différenciées sur les territoires des
Amériques.<o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;"><span style="mso-spacerun: yes;"> </span>Dans <i style="mso-bidi-font-style: normal;">Ce qu’il reste de moi, </i><span style="mso-spacerun: yes;"> </span>Proulx<span style="mso-spacerun: yes;"> </span></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-language: FR; mso-themecolor: text1;">entend montrer
plusieurs visages de Montréal comme espace urbain particulier du Nouveau Monde.
Elle évoque les récits de Jeanne Mance au sujet de son projet de la
« Folle Entreprise », </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">entre
1642 et 1665</span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;">, qui aurait des
influences </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-language: FR; mso-themecolor: text1;"><span style="mso-spacerun: yes;"> </span>sur les récits actuels sur le
Montréal contemporain qui pourrait être un reflet de ce projet du temps de la
Nouvelle France. Celui-ci repose sur </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">un
rêve qui profile le Nouveau Continent : avec le soutien de grands
donateurs privés,<span style="mso-spacerun: yes;"> </span>ils érigeraient une
ville « mixte », au sein de laquelle les Européens immigrés et les
Amérindiens devenus chrétiens vivraient ensemble, dans un climat d’harmonie et
de solidarité. Proulx déclare qu’un tel projet de cohabitation harmonieuse n’a
jamais été mis en œuvre, mais il a nourri pendant des siècles une
représentation dans l’esprit des Montréalais. Celle de la construction d’une
cité où ses nouveaux habitants, les immigrants venus des quatre coins du monde,
trouveraient un espace idéal d’accueil pour vivre en communion avec les natifs.<o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">Pedrosa crée, d’un autre côté,
la personnage Clara qui projette les points de vue du Père Antonio Vieira sur
l’espace qu’elle traverse. Ce jésuite, célébré par l’immense poète Fernando
Pessoa « Empereur de la prose portugaise », a peu à peu développé,
d’abord auprès de correspondants ecclésiastiques, puis dans différents
ouvrages, une interprétation renouvelée du mythe </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;"><a href="https://fr.wikipedia.org/wiki/S%C3%A9bastien_Ier_de_Portugal" title="Sébastien Ier de Portugal"><span style="color: black; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1; text-decoration: none; text-underline: none;">sébastianiste</span></a></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;"> (et des prophéties de </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;"><a href="https://fr.wikipedia.org/w/index.php?title=Ant%C3%B3nio_Gon%C3%A7alves_Annes_Bandarra&action=edit&redlink=1" title="António Gonçalves Annes Bandarra (page inexistante)"><span style="color: black; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1; text-decoration: none; text-underline: none;">Bandarra</span></a></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">), dans laquelle il annonce l’avènement futur
d’un </span><span style="color: black; mso-color-alt: windowtext;"><a href="https://fr.wikipedia.org/wiki/Cinqui%C3%A8me_Empire" title="Cinquième Empire"><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1; text-decoration: none; text-underline: none;">Quint-Empire</span></a></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;"> (Cinquième
Empire) universel dominé par le Portugal sous l’inspiration du </span><span style="color: black; mso-color-alt: windowtext;"><a href="https://fr.wikipedia.org/wiki/Saint-Esprit" title="Saint-Esprit"><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1; text-decoration: none; text-underline: none;">Saint-Esprit</span></a></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">, après la résurrection du roi </span><span style="color: black; mso-color-alt: windowtext;"><a href="https://fr.wikipedia.org/wiki/Jean_IV_de_Portugal" title="Jean IV de Portugal"><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1; text-decoration: none; text-underline: none;">Jean IV</span></a></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">.
Cet Empire fonctionnerait comme la Folle Entreprise de Jeanne Mance : à
savoir une perspective d’union harmonieuse entre les colons et les Amérindiens.
Vieira avait une autre perception de ces derniers. Il ne ménage pas ses
critiques au régime de l’esclavage africain, tout en faisant part d’idées
neuves sur la Compagnie de Commerce entre le Portugal et le Brésil. <o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;">Au fond, la structure narrative des deux romans suit un
cheminement similaire. La narrativité se fait transmission, les jeux de voix et
les métissages des langages parviennent à révéler une réalité complexe, qui
permet l’interculturel, mais pointe les difficultés d’intégration des cultures
différenciées encore présentes dans les sociétés visées. <span style="background: white;">Salvador,<span style="mso-spacerun: yes;">
</span>première capitale du Brésil, bâtie avec la <span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">sueur</span> des esclaves<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">, continue
d’affronter des problèmes d’exclusion sociale.<b> </b></span>Quelques centaines
d’années plus tard, Ville-Marie - devenue Montréal - abrite des hommes et des
femmes qui se battent, chacun à sa façon, pour redresser les fortifications
d’une vie en proie à diverses vicissitudes, mais rencontre également des
problèmes d’exclusion/inclusion. C’est ainsi que ces écrivaines, Proulx et
Pedrosa donnent vie à une dynamique de l’imaginaire, une activité d’interaction
entre des confluences dialogiques spécifiques. Elles montrent comment la
fiction fait jouer les figures renouvelées de certaines utopies du Nouveau
Monde dans les textes littéraires, textes qui témoignent d’une puissante
facture féminine pour porter un regard neuf sur l’histoire.</span><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">Échanges<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-indent: 42.55pt;">
<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-themecolor: text1;">Nous voyons que </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;">mes activités de recherche sont notamment
basées sur les collaborations pluridisciplinaires que j’ai développées depuis
le début de ma carrière. J’ai beaucoup privilégié les études comparées, au sein
des réflexions des études interaméricaines. Les collaborations
interdisciplinaires mises en place depuis quelques années commencent à porter
leur fruit et notamment sous forme de réseau de recherche, ce qui permettent de
faire connaitre nos travaux à travers le monde. Et surtout au sein du réseau de
québécistes de l’AIEQ. En mai, j’ai participé également à l’Assemblée Générale
de l’AIEQ et à la réunion du Conseil d’Administration. <o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;">Ma liste de
publications compte actuellement plusieurs articles et livres <span style="mso-spacerun: yes;"> </span>sur les relations Canada/Brésil et sur la
Géopoétique de Montréal. J’ai co-encadré deux thèses en cotutelle avec
l’Université Fédérale de Bahia et la Sorbonne, portant sur l’identité juive au
Brésil et au Québec à travers l’œuvre de Régine Robin en comparaison avec des
écrivains brésiliens. J’ai participé à plusieurs jurys de maitrise et doctorat
en études canadiennes, au Brésil, ou en études brésiliennes , au Québec.<o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;">Impact et
retombées.<span style="mso-spacerun: yes;"> </span>Un projet novateur et
pertinent qui rayonne.<o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-themecolor: text1;">La thématique du
Colloque innove, en ce qu’elle met en place des réflexions sur la production
féminine qui a toujours été marginalisée. Caroline Ferrer et ses étudiantes ont
présenté les bases de la méthode de la <i>criticométrie</i>, destinée à exposer
la participation des écrivaines dans la sphère interaméricaine. </span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: text1;">Dès la fin de la guerre froide, à l’ère de la
mondialisation, nous observons le surgissement de plusieurs voix féminines qui
essayent d’affleurer dans le monde littéraire, dominé encore para les
écrivains.<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-indent: 42.55pt;">
<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: text1;">Notre projet suscite l’intérêt de
plusieurs autres chercheurs qui aimeraient y participer l’année prochaine, à
l’Université de Sherbrooke. Nous allons publier les Actes du Colloque dans une
revue savante du programme d’études avancées de l’Université de Bahia : <i>Pontos
de Interrogação. </i><span style="mso-spacerun: yes;"> </span>Nous commençons
déjà à recevoir des textes de chercheurs qui n’ont pas participé au colloque,
mais qui aimeraient collaborer au volume spécial sur les Écrivaines et la
Mondialisation. <o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: text1;">Le programme de notre colloque
témoigne de notre rayonnement international.<o:p></o:p></span></div>
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<b><span style="color: #6e93a1; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Le lundi 27 mai 2019<o:p></o:p></span></b></div>
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<span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Dès la fin de la guerre froide, nous observons le
surgissement d’un nouvel ordre géopolitique : la mondialisation (Dirlik,
2007; Freitag, 2008; Gélinas, 2000; Lewellen, 2002; Sassen, 2009). Ce
changement entraîne aussi des métamorphoses culturelles, telles que la fin
du postmodernisme, événement confirmé au début du 21<sup>e</sup> siècle (Hutcheon,
2002; Hassan, 2003; Ferrer, 2010). Pendant la même période, nous constatons
que, du point de vue des études littéraires, de nombreux théoriciens se
penchent de nouveau sur le concept de littérature mondiale (Casanova,
1999; Prendergast, 2004; Damrosch, 2003, 2011, 2014; Miller...</span><span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Lire la suite »</span></a></span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<b><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Remerciements<o:p></o:p></span></b></div>
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<span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">L'organisation de ce colloque est financée par le
Conseil de recherches en sciences humaines du Canada.<o:p></o:p></span></div>
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<b><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Colloque<o:p></o:p></span></b></div>
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<span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Section 300 - Lettres,
arts et sciences humaines<o:p></o:p></span></div>
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<b><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Responsables<o:p></o:p></span></b></div>
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<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/3069" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Carolina Ferrer</span></a></span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: #80858c; font-family: "Arial",sans-serif; font-size: 9.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">UQAM - Université du Québec à Montréal</span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/70140" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Roxane Maiorana</span></a></span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: #80858c; font-family: "Arial",sans-serif; font-size: 9.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">UQAM - Université du Québec à Montréal</span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/47288" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Licia SOARES DE SOUZA</span></a></span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: #80858c; font-family: "Arial",sans-serif; font-size: 9.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">UQAM - Université du Québec à Montréal</span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: black; mso-color-alt: windowtext;"><a href="http://www.facebook.com/pages/Association-francophone-pour-le-savoir-Acfas/33532707807" target="_blank"><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Page Facebook</span></a></span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<span style="color: black; mso-color-alt: windowtext;"><a href="https://twitter.com/search?q=AcfasC311" target="_blank"><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">AcfasC311</span></a><a href="https://twitter.com/AcfasScHumaines" target="_blank"><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">AcfasScHumaines</span></a></span><span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: #F3F3F3; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; vertical-align: top;">
<span style="color: #3f3f42; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Ajouter à mon horaire<o:p></o:p></span></div>
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<div class="MsoNormal" style="background: #6E93A1; border: none; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 18.0pt; margin-right: 0cm; margin-top: .75pt; mso-border-top-alt: solid #6E93A1 4.5pt; mso-list: l0 level1 lfo1; mso-padding-alt: 0cm 0cm 0cm 0cm; padding: 0cm; tab-stops: list 36.0pt; text-indent: -18.0pt;">
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</span></span></span><!--[endif]--><span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c#tabs-1"><b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Lundi</span></b><b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; text-decoration: none; text-underline: none;"><br />
</span></b><b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">27 mai 2019</span></b><b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; text-decoration: none; text-underline: none;"><br />
</span></b></a></span><b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></b></div>
</div>
<div class="MsoNormal" style="background: #F3F3F3; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">AFFICHER TOUS LES RÉSUMÉS</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="am"></a><b><span style="color: white; font-family: "Arial",sans-serif; font-size: 8.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; text-transform: uppercase;">AVANT-MIDI<o:p></o:p></span></b></div>
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<b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">10 h 00 à 12 h 00<o:p></o:p></span></b></div>
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<div align="center" class="MsoNormal" style="background: #9674E2; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="color: white; font-family: "Arial",sans-serif; font-size: 8.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Communications orales<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 2.4pt;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Dialogues transculturels au féminin <o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Présidence/Animation</span></b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : Roxane Maiorana <i>(UQAM - Université du
Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span><b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Batiment</span></b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : UQO
A.-Taché<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <b>Local</b> :
A0108<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="PT-BR" style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">10 h 00</span><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Mot de bienvenue<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">10 h 20</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Éthique de la rencontre et pensée décoloniale : écrivaines amérindiennes et
subsahariennes<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/71981" target="_blank"><span lang="PT-BR" style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Carmen MATA BARREIRO </span></a></span><i><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">(Universidad Autónoma de Madrid )</span></i><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">10 h 40</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Féminins nihilistes et résistance : le parler-pute<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/73099" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Sabrina Clermont-Letendre</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM - Université
du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">11 h 00</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Échanges transculturels chez Monique Proulx et Inês Pedrosa<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/47288" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Licia SOARES DE SOUZA</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">11 h 20</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">La place des écrivaines autochtones dans la littérature mondiale<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Rita Olivieri-Godet <i>(Université Rennes 2, France)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">11 h 40</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Période de questions<o:p></o:p></span></b></div>
<div align="center" class="MsoNormal" style="background: #6E93A1; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
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<b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">12 h 00 à 13 h 00<o:p></o:p></span></b></div>
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<span style="color: white; font-family: "Arial",sans-serif; font-size: 8.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Dîner<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 2.4pt;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Dîner <o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <b>Batiment</b> : UQO A.-Taché<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="background: white; line-height: normal;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span><b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Local</span></b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : A0108<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="background: #6E93A1; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="https://www.blogger.com/null" name="pm"></a><b><span lang="PT-BR" style="color: white; font-family: "Arial",sans-serif; font-size: 8.5pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; text-transform: uppercase;">APRÈS-MIDI<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">13 h 00 à 14 h 15<o:p></o:p></span></b></div>
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<div align="center" class="MsoNormal" style="background: #9674E2; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="color: white; font-family: "Arial",sans-serif; font-size: 8.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Communications orales<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 2.4pt;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Figures européennes <o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Présidence/Animation</span></b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : Silvia Sosa <i>(UQAM - Université du
Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span><b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Batiment</span></b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : UQO
A.-Taché<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <b>Local</b> :
A0108<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="PT-BR" style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">13 h 00</span><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">L’avènement du féminisme en Turquie : Duygu Asena sur les pas de Simone de
Beauvoir<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Eylem AKSOY ALP <i>(Université Hacettepe)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">13 h 20</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">La réception mondiale de L’Amie prodigieuse : un état des lieux<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/73020" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Mallory Trocadero</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">13 h 40</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">La place des femmes dans la littérature italienne des années 1900 à nos
jours<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/71907" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Rémi Chiasson-Villeneuve</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">14 h 00</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Période de questions<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">14 h 15</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Pause<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: #646469; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">14 h 30 à 16 h 10<o:p></o:p></span></b></div>
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<div align="center" class="MsoNormal" style="background: #9674E2; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="color: white; font-family: "Arial",sans-serif; font-size: 8.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Communications orales<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 2.4pt;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Minorités (in)visibles <o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Présidence/Animation</span></b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : Rémi Chiasson-Villeneuve <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span><b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Batiment</span></b><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : UQO
A.-Taché<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 8.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <b>Local</b> :
A0108<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="PT-BR" style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">14 h 30</span><span lang="PT-BR" style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Littérature mineure aux États-Unis : le cas des écrivaines dites
"Hispanics"<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/70140" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Roxane Maiorana</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">14 h 50</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Les rôles de Victoria Ocampo et de Silvina Ocampo dans la littérature
argentine<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/73012" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Silvia Sosa</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">15 h 10</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Cartographie de la littérature mondiale au féminin<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/user/3069" target="_blank"><span style="color: #3b44ac; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Carolina Ferrer</span></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <i>(UQAM -
Université du Québec à Montréal)</i><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: black; mso-color-alt: windowtext;"><a href="https://www.acfas.ca/evenements/congres/programme/87/300/311/c"><b><span style="background: #D7DCE2; border: none windowtext 1.0pt; color: #646469; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; padding: 0cm; text-transform: uppercase;">RÉSUMÉ</span></b></a></span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">15 h 30</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Période de questions<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="background: #6E93A1; color: white; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">15 h 45</span><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: normal;">
<b><span style="color: #333333; font-family: "Arial",sans-serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Mot de clôture<o:p></o:p></span></b></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<div class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-indent: 42.55pt;">
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<div class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-indent: 42.55pt;">
<span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: text1;">Quelques photos<o:p></o:p></span></div>
<div class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-indent: 42.55pt;">
<span style="color: black; mso-color-alt: windowtext; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape id="Imagem_x0020_11" o:spid="_x0000_i1038"
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</v:shape><![endif]--><!--[if !vml]--><img border="0" height="425" src="file:///C:/Users/LICIAC~1/AppData/Local/Temp/msohtmlclip1/01/clip_image004.jpg" v:shapes="Imagem_x0020_11" width="567" /><!--[endif]--></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: text1;"><o:p></o:p></span></div>
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</v:shape><![endif]--><!--[if !vml]--><img border="0" height="425" src="file:///C:/Users/LICIAC~1/AppData/Local/Temp/msohtmlclip1/01/clip_image006.jpg" v:shapes="Imagem_x0020_12" width="567" /><!--[endif]--></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-themecolor: text1;"><o:p></o:p></span></div>
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<div class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-indent: 49.65pt;">
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<div style="background: white; line-height: 16.5pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; text-indent: 35.4pt;">
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<br />Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-85871262058238681842017-01-18T12:14:00.002-08:002017-02-21T18:13:07.436-08:00FIGURES SPATIALES DE MONTRÉALfile:///C:/Users/L%C3%8DCIA/Downloads/couv_Figures_spatiales_de_Montreal_13mm%20(1).pdf<br />
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Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-71594797775347215002017-01-06T17:48:00.000-08:002017-10-16T15:13:19.093-07:00 ACFAS 2017 / APPEL A COMMUNICATIONSACFAS 2017 / APPEL A COMMUNICATIONS<br />
<br />
<br />
Colloque 308
Représentations des dynamiques urbaines
dans la littérature et le cinéma du Québec et du Brésil<br />
<br />
<br />
Responsable(s) :
Licia SOARES DE SOUZA, Université du Québec à Montréal/Université de Bahia-Brésil
Rita OLIVIERI-GODET, Université Rennes 2-ERIMIT / Institut Universitaire de France
Brigitte THIERION, Université Sorbonne-Nouvelle (Paris 3 / CREPAL)<br />
<br />
Date : 8 et 9 mai 2017<br />
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Lieu : Université McGILL, Montréal, Canada<br />
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Présentation<br />
Ce colloque s’inscrit dans la continuité des recherches sur les relations littéraires interaméricaines à partir d’une perspective comparatiste entre le Québec et le Brésil. Il regroupe notamment des chercheurs des universités québécoises, brésiliennes et françaises pour qui, chaque année, le Congrès de l’ACFAS est devenu un lieu propice à un travail d’échanges et de réflexion partagée.
Le colloque appelle à renouveler les études portant sur les interactions entre un sujet et des pratiques habitantes dans les espaces urbains des villes américaines. Comment l’appropriation d’un espace public ou privé montre-t-il une disposition physique à préserver ou à l’inverse à transformer les centres et les périphéries d’une ville ? Comment un corps s’inscrit-il dans un territoire urbain comme facteur de changements ? Comment mettre en évidence la nature des mouvements qui autorisent occupations, (re)façonnements et aménagements intérieurs et extérieurs ? Quelles sont les figures élémentaires de la dynamique urbaine, quelles ressemblances ou dissemblances permettent de les distinguer ? Quel regard les écrivains et les cinéastes portent-ils sur une ville ? Comment en font-ils un objet littéraire ou cinématographique ?
Si le thème de l’appropriation de l’espace urbain a fait déjà l’objet de nombreuses recherches, ce qui nous interpelle maintenant c’est la façon dont la littérature, le cinéma et d’autres productions culturelles représentent l'incorporation, par les villes américaines, des migrations internes et externes, des situations d'indigence, des modifications de la flânerie, bref des déplacements forcés ou spontanés qui engendrent des transformations dans la mémoire individuelle ou collective ainsi que des espaces d'interaction ou d'exclusion sociale et culturelle. Nous privilégierons les études comparées, mais une attention toute particulière sera accordée aux représentations de la ville de Montréal, étant donné la célébration, en 2017, de son 375e anniversaire.
Ce colloque est conçu comme un lieu de rencontres et d’échanges entre chercheurs venant de plusieurs pays pour cerner les représentations contemporaines des dynamiques urbaines dans la littérature et le cinéma québécois et brésilien. Son organisation prévoit des conférences invitées ; des communications et des tables rondes suivies de débats.<br />
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PROPOSITIONS DE COMMUNICATIONS
Titre, résumé (900 caractères espaces compris), rattachement institutionnel
A ENVOYER AVANT LE 15 FEVRIER 2017 DELAI DE RIGUEUR
aux membres responsables de l’organisation du Colloque :
brigitte.thierion@free.fr
soares_de_souza.licia@uqam.ca
rita.godet20@gmail.com
Fotos de colóquios anteriores:
https://plus.google.com/photos/111979834935809363701/albums/5822359693795508785<a href="http://https//plus.google.com/photos/111979834935809363701/albums/5822359693795508785"></a>Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-77284746538385441752016-08-20T20:33:00.002-07:002017-10-16T15:13:57.803-07:00Liens de textes de littérature québécoise.Les labyrinthes de la nouvelle violence urbaine dans les romans québécois
file:///C:/Users/licia/Downloads/220-459-1-SM.pdf
file:///C:/Users/licia/Downloads/220-459-1-SM.pdf<br />
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Le suicide comme thème formateur d’une mémoire de la nature des sociétés de consommation: analyse de Génération Pendue de Myriam Caron et Cette Terre d’Antônio Torres
http://www.antoniotorres.com.br/analyse_generation_pendue_myriam_caron_cette_terre_antonio_torres.pdf<br />
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Figures spatiales de Montréal dans une perspective géopoétique
urbainehttp://https://periodicos.ufpel.edu.br/ojs2/index.php/interfaces/article/view/7272
https://periodicos.ufpel.edu.br/ojs2/index.php/interfaces/article/view/7272Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-44322013873688379752016-08-14T15:11:00.001-07:002018-02-27T21:39:13.848-08:00Semestre Québécois à l'Alliance Française<div class="separator" style="clear: both; text-align: center;">
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<a href="https://laieqencampagne.blogspot.ca/2018/02/temoignage-dune-quebeciste-bresilienne.html" target="_blank">https://laieqencampagne.blogspot.ca/2018/02/temoignage-dune-quebeciste-bresilienne.html</a>Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-4208022206628255722016-06-06T22:32:00.000-07:002016-06-06T22:43:50.748-07:00Nascer mulher<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Nasci mulher <o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">no dia do guerreiro<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">não sei se era na lua<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">talvez fosse na rua,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">eu sei que tinha dragão<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">que ainda está na minha mão....<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Nasci mulher<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">em país de censura<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">aprendi a contar palavras<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> a
hesitar<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">tantas as estórias de chegadas<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">
de escravidão<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">tantas as estórias de tortura<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">violências formação de minha nação<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Nasci menina<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">fui correr em uma favela,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> negrinhas<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">brincadeiras pelo barro<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">vermelho colante encantador,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">sabe o que é vestido de menina enlameado?<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">alegrias
fantasias liberdades<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> e o pirão
pelo chão se esfarelando<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">As meninas iam embora<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> casas de
família<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">empregadinhas no cimento da cidade<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">presas fáceis de patrões<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">
necessitados<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">de aventuras....
de poder... de lascívia....<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">meu pequeno coração se destroçando....<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Nascer mulher no poder de homens fortes<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">acaba logo com o direito de falar,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">muitas vezes era pra dançar<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">com aquele que convidava<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">passo desafinado<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">silêncio devorador<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">falta de vontade de ficar,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">meu pobre coração<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">se acovardando.....<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Nasci mulher no dia do guerreiro<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">ficou este dragão na minha mão<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> vontade de
escrever<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> desejo de
gritar,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">meu país é macho ou é fêmea?<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">gigante masculinizado<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">esperando pela força da mulher...<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Quem é ela que deslocou os raios?<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">resistência, signos ativos,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">linguagens para enfrentar....<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">quem é ela que ultrapassou <o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">a linha da hostilidade<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">comandante em mundo de homens ferozes?<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">quem é ela que fez da minha terra masculina<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">travessia para outro<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> mundo de
mulher?<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Quem é que beija assim o presente,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">descontrai o passado <o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> fazendo para
o futuro uma passarela de novos <o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">pensamentos?<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Nasci mulher em país de censura<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">caminho de tortura<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">mas estive com ela em dia de sol<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">blusa branca
echarpe vermelho,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">muitas vozes, jovens, maduras<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">brancas, morenas,
negras<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">rosas desabrochando nos abraços que trocamos....<o:p></o:p></span></b></div>
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<br /></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Quem é ela que está na TV desengonçada<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">cara de tristeza
aguda<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">que pare que nada muda, <o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">mas chega até nós com um sorriso<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">força de quem nunca morreu,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">compondo nossos quadros tão floridos?<o:p></o:p></span></b></div>
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<br /></div>
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<br /></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Quem pode encarnar<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">uma natureza tão tenaz<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">porte de luta<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">reforço de nossas vozes femininas?<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">E quem é ele?<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">vem do podre esquecido,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">tenta de novo silenciar<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">nossos suspiros?<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Quem mandou estuprar minha terra,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">roubar meu barro<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">formador de passarelas?<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">A argila vermelha,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> negrinhas,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">amiguinhas desencantadas<o:p></o:p></span></b></div>
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<br /></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">E ele vem com sua língua de mesóclises,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">seus bonecos de milhões<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> filho,
<i>Petit Prince</i>,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">mulher empalhada,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">desbotando nossos anos de conquistas,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">em caminhos de nada que, com mais nada, dá em nada....<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Quero língua crioula<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">no limite da ordem e da desordem<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">quero língua <o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">de gente de batalha<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">voz guiando nosso andar....<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Ele me bate todos os dias<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> me emudece<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">a mesóclise me deixa tonta<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">a ênclise quebra meus desejos.....<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Estou querendo guerrear<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">mas a moléstia paralisa meu braço direito<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">mas o dragão não sabe sair da minha mão<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">queria de novo ir até ela<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">seguir o perfume dos ramalhetes<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">colhidos em nossa <o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">fé<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">gritos de luta pedindo VOLTA<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">Queria dizer que ela tem a delicadeza<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> de um jardim,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">mesmo sem saber,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">aniquila<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">as ervas daninhas do terreno,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">revela o outro lado da terra<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">
falhas<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">
orifícios<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">
montículos<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">com paciência vai permitindo a fertilidade do país<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;">A masculinidade existe<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> e encanta,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16.0pt; line-height: 115%;"> mas só a
masculinidade<o:p></o:p></span></b><br />
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">produtiva de humanidade é aceitável.<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">Atravessada de machismo,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">não define nenhum saber.<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">Estou aqui, dragão na mão,<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">vestido ainda enlameado na argila da favela<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">esperança no jardim da mulher comandante.<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">Seu karma ( o dela)<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">é o mais radical<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">que possa conhecer<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;"> <o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">transformação<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">Mesmo se o poder desfalece,<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">seu jardim já gravou<o:p></o:p></span></b></div>
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">a lição de história<o:p></o:p></span></b></div>
<br />
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<b><span lang="PT-BR" style="font-family: "arial black" , "sans-serif"; font-size: 16pt; line-height: 24.5333px;">que procuro desde a infância.....</span></b></div>
</div>
<div class="MsoNormal">
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Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-70043678917105380342016-04-08T19:29:00.003-07:002016-06-17T20:21:41.379-07:00La renaissance des cultures autochtones : enjeux et défis de la reconnaissance<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c">http://www.acfas.ca/evenements/congres/programme/84/300/318/c</a><br />
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<span lang="FR" style="color: #222222; font-family: "georgia" , "serif"; font-size: 21.0pt; font-weight: normal;">Colloque
318 - La renaissance des cultures autochtones : enjeux et défis de la
reconnaissance</span><span lang="FR" style="color: #222222; font-family: "georgia" , "serif"; font-size: 21.0pt; font-weight: normal;"><o:p></o:p></span></h2>
<h6 style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-stretch: normal; margin: 3.75pt 0cm 7.5pt;">
<b><span lang="FR" style="color: #777777; font-family: "georgia" , "serif"; font-size: 10.5pt; line-height: 115%;">Du mardi 10 mai à 09 h 30 au mercredi
11 mai à 17 h 00.<o:p></o:p></span></b></h6>
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<strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Responsable(s)</span></strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<span class="field-content"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Jean-François</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"> </span></span><span class="majuscule"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%; text-transform: uppercase;">CÔTÉ</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"> </span></span><em><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">UQAM - Université du Québec à Montréal</span></em><span class="field-content"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">, Claudine</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"> </span></span><span class="majuscule"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%; text-transform: uppercase;">CYR</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"> </span></span><em><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Université Autonome de Baja California</span></em><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Description</span></strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Présent partout dans les Amériques (et aussi au-delà), le
mouvement de renaissance des cultures autochtones se manifeste dans divers
domaines, mais particulièrement dans les arts, comme le théâtre, le cinéma, la
musique, la littérature (romans et poésie), la peinture et la sculpture.
Prenant appui à la fois sur des aspects traditionnels et historiques des
Premières Nations, cette renaissance culturelle table également sur les moyens
d’expression les plus contemporains pour prendre forme.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Cette renaissance autochtone, au-delà de ses
caractéristiques culturelles, possède également des échos sur les plans social
et politique, à la fois auprès des populations autochtones elles-mêmes et des
sociétés plus larges dans lesquelles celles-ci évoluent. Mais comment se
présentent alors les enjeux et défis de la renaissance des cultures
autochtones au sein de notre société? Quels en sont les tenants et
aboutissants du point de vue des transformations qu’elle implique (pour les
autochtones et les non-autochtones) et de la reconnaissance qu’on lui accorde?
Comment les sciences humaines (sociologie, anthropologie, études littéraires,
cinématographiques, musicologiques, etc.) se situent-elles par rapport à la
reconnaissance de la renaissance autochtone? Et quelle position doivent-elles
adopter, du point de vue méthodologique, théorique et même épistémologique,
afin de permettre que cette reconnaissance ne soit pas seulement un nouvel
avatar de la domination qu’elles ont souvent exercée vis-à-vis de populations
autochtones? Quelles sont les implications logiques, éthiques et esthétiques de
la reconnaissance d’une renaissance autochtone se produisant au sein de nos
sociétés?<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">C’est à ce genre de questions que notre colloque voudrait
s’ouvrir, en présentant les contributions de chercheurs intéressés par la
manière de contribuer à une reconnaissance équilibrée de la renaissance
autochtone.<o:p></o:p></span></div>
<h3 style="background: #999999; font-stretch: normal; margin-top: 0cm;">
<span style="font-stretch: normal;"><span class="date-display-single"><span lang="FR" style="color: white; font-family: "georgia" , "serif"; font-size: 12.0pt; line-height: 115%;">Mardi 10 Mai 2016</span></span></span><span lang="FR" style="color: white; font-family: "georgia" , "serif"; font-size: 9.0pt; line-height: 115%;"><o:p></o:p></span></h3>
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<span class="date-display-start"><span style="font-stretch: normal;"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">9 h 30</span></span><span style="font-stretch: normal;"></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span class="date-display-separator"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">-</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span style="font-stretch: normal;"></span><span class="date-display-end"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">12 h 15</span></span></span><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Renaissance et reconnaissance</span></strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Communications orales<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Bâtiment – Local : Pavillon Sainte-Catherine (V) – V-2830<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="327408"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">9 h 30<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Claudine<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">CYR</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">Université
Autonome de Baja California</span></em>, Jean-François<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">CÔTÉ</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">UQAM
- Université du Québec à Montréal</span></em><o:p></o:p></span></div>
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<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Ouverture
du colloque et présentation<o:p></o:p></span></b></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Claudine<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">CYR</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">Université
Autonome de Baja California</span></em><o:p></o:p></span></div>
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin: 0cm 0cm 7.5pt;">
<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Faire son
cinéma en situation de reterritorialisation : pour une reconnaissance des
autochtones<span class="apple-converted-space"> </span><i>jornaleros</i>dans
la municipalité d’Ensenada au Mexique<o:p></o:p></span></b></div>
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<br /></div>
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<a href="https://www.blogger.com/null" name="323526"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">10 h 15<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323526" style="cursor: pointer; outline: none;"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; line-height: 115%; text-decoration: none;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_380" o:spid="_x0000_i1035" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323526"
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o:button="t">
<v:imagedata src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image001.png"
o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:/Users/Licia/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" v:shapes="Imagem_x0020_380" width="13" /><!--[endif]--></span></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Jessica<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">JANSSEN</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">Université
de Sherbrooke</span></em><o:p></o:p></span></div>
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin: 0cm 0cm 7.5pt;">
<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">La
renaissance autochtone contemporaine au Québec<o:p></o:p></span></b></div>
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<br /></div>
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<a href="https://www.blogger.com/null" name="323825"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">10 h 45<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323825" style="cursor: pointer; outline: none;"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; line-height: 115%; text-decoration: none;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_381" o:spid="_x0000_i1034" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
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<v:imagedata src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image001.png"
o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:/Users/Licia/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" v:shapes="Imagem_x0020_381" width="13" /><!--[endif]--></span></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Julie<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">BRUNEAU</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">UQAM
- Université du Québec à Montréal</span></em><o:p></o:p></span></div>
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin: 0cm 0cm 7.5pt;">
<b><i><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Walking
With Our Sisters</span></i></b><b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;"> :
une installation commémorative artistique pour les femmes autochtones disparues
et assassinées<o:p></o:p></span></b></div>
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<br /></div>
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<a href="https://www.blogger.com/null" name="323659"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">11 h 15<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323659" style="cursor: pointer; outline: none;"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; line-height: 115%; text-decoration: none;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_382" o:spid="_x0000_i1033" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323659"
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o:button="t">
<v:imagedata src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image001.png"
o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:/Users/Licia/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" v:shapes="Imagem_x0020_382" width="13" /><!--[endif]--></span></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Carl<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">MORASSE</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">UQAC
- Université du Québec à Chicoutimi</span></em><o:p></o:p></span></div>
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin: 0cm 0cm 7.5pt;">
<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Projet
d’exposition<span class="apple-converted-space"> </span><i>Innovations
autochtones</i><span class="apple-converted-space"> </span>au Centre des
sciences de Montréal : une reconnaissance d’expertise partagée dans le présent
et par un regard rétroactif<o:p></o:p></span></b></div>
<div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
<span class="resume1"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">)</span></span><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<span class="date-display-start"><span style="font-stretch: normal;"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">12 h
15</span></span><span style="font-stretch: normal;"></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span class="date-display-separator"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">-</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span style="font-stretch: normal;"></span><span class="date-display-end"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">14 h 00</span></span></span><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Dîner</span></strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: #F3F3F3;">
<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Dîner<o:p></o:p></span></div>
<div class="MsoNormal" style="background: #F3F3F3;">
<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Bâtiment – Local : Site du congrès – Dîner libre<o:p></o:p></span></div>
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<span class="date-display-start"><span style="font-stretch: normal;"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">14 h
00</span></span><span style="font-stretch: normal;"></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span class="date-display-separator"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">-</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span style="font-stretch: normal;"></span><span class="date-display-end"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">16 h 30</span></span></span><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Renaissance et reconnaissance du théâtre
autochtone</span></strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background: #F3F3F3;">
<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Communications orales<o:p></o:p></span></div>
<div class="MsoNormal" style="background: #F3F3F3;">
<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Bâtiment – Local : Pavillon Sainte-Catherine (V) – V-2830<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="323366"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">14 h 00<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323366" style="cursor: pointer; outline: none;"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; line-height: 115%; text-decoration: none;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_383" o:spid="_x0000_i1032" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
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o:button="t">
<v:imagedata src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image001.png"
o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:/Users/Licia/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" v:shapes="Imagem_x0020_383" width="13" /><!--[endif]--></span></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Julie<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">BURELLE</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">Université
de la Californie, San Diego</span></em><o:p></o:p></span></div>
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin: 0cm 0cm 7.5pt;">
<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Aller à la
rencontre du théâtre autochtone contemporain<o:p></o:p></span></b></div>
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<br /></div>
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<a href="https://www.blogger.com/null" name="323440"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">14 h 30<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323440" style="cursor: pointer; outline: none;"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; line-height: 115%; text-decoration: none;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_384" o:spid="_x0000_i1031" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
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o:button="t">
<v:imagedata src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image001.png"
o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:/Users/Licia/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" v:shapes="Imagem_x0020_384" width="13" /><!--[endif]--></span></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">
<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Jean<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">RÉGNIER</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">UQAM
- Université du Québec à Montréal</span></em><o:p></o:p></span></div>
<div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin: 0cm 0cm 7.5pt;">
<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Défis
vécus par des artistes autochtones et allochtones en théâtre au Québec<o:p></o:p></span></b></div>
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<br /></div>
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<a href="https://www.blogger.com/null" name="323479"></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;">15 h 00<o:p></o:p></span></div>
<div align="right" class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; text-align: right;">
<a href="http://www.acfas.ca/evenements/congres/programme/84/300/318/c#323479" style="cursor: pointer; outline: none;"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; line-height: 115%; text-decoration: none;"><!--[if gte vml 1]><v:shape
id="Imagem_x0020_385" o:spid="_x0000_i1030" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
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o:button="t">
<v:imagedata src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image001.png"
o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:/Users/Licia/AppData/Local/Temp/msohtmlclip1/01/clip_image002.gif" v:shapes="Imagem_x0020_385" width="13" /><!--[endif]--></span></a><span style="font-family: "arial" , sans-serif; font-size: 8.5pt; line-height: 115%;"><o:p></o:p></span></div>
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- Université du Québec à Montréal</span></em><o:p></o:p></span></div>
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<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Du réveil
indien à la renaissance autochtone : réflexions sur les fondements
épistémologiques de la reconnaissance<o:p></o:p></span></b></div>
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- Université du Québec à Montréal</span></em><o:p></o:p></span></div>
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<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Le théâtre
autochtone et les avant-gardes : la reconnaissance problématique d’une
double marginalité et son dépassement<o:p></o:p></span></b></div>
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<h3 style="background: #999999; font-stretch: normal; margin-top: 0cm;">
<span style="font-stretch: normal;"><span class="date-display-single"><span lang="FR" style="color: white; font-family: "georgia" , "serif"; font-size: 12.0pt; line-height: 115%;">Mercredi 11 Mai
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- Université du Québec à Montréal</span></em><o:p></o:p></span></div>
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<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Identités
amérindiennes en déclin : une analyse comparative de<span class="apple-converted-space"> </span><i>Tchipayuk ou le chemin du loup</i> et<span class="apple-converted-space"> </span><i>Maïra</i><o:p></o:p></span></b></div>
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<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Transmission
de la mémoire culturelle du peuple yanomami : la contribution de
Davi Kopenawa <o:p></o:p></span></b></div>
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<b><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt;">Peaux de
papiers et peaux d’images : de l’éducation à l’écriture, construction
d’une présence littéraire amérindienne au Brésil<o:p></o:p></span></b></div>
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00</span></span><span style="font-stretch: normal;"></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span class="date-display-separator"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">-</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span style="font-stretch: normal;"></span><span class="date-display-end"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">14 h 00</span></span></span><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<span class="date-display-start"><span style="font-stretch: normal;"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">14 h
00</span></span><span style="font-stretch: normal;"></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span class="date-display-separator"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">-</span></span><span class="apple-converted-space"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;"> </span></span><span style="font-stretch: normal;"></span><span class="date-display-end"><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 10pt; line-height: 115%;">17 h 00</span></span></span><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Table ronde : les expressions autochtones
par leurs créateurs et créatrices</span></strong><span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;"><o:p></o:p></span></div>
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<span lang="FR" style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Participant(s): Charles<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">BENDER</span></span><span class="apple-converted-space"> </span>, André<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">DUDEMAINE</span></span><span class="apple-converted-space"> </span>, Kim<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">O'BOMSAWIN</span></span><span class="apple-converted-space"> </span><em><span style="font-family: "arial" , "sans-serif";">UQAM
- Université du Québec à Montréal</span></em>, Yves<span class="apple-converted-space"> </span><span class="majuscule"><span style="text-transform: uppercase;">SIOUI DURAND</span></span><o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 9pt; line-height: 115%;">Bâtiment –
Local : Pavillon Sainte-Catherine (V) – V-2830<o:p></o:p></span><a href="https://picasaweb.google.com/111979834935809363701/LiciaSoaresDeSouzaACFAS" rel="nofollow" style="background-color: white;"></a><br />
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Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-49473114370886607262016-04-08T19:23:00.001-07:002020-07-31T09:14:51.395-07:00La littérature hispano-américaine dans tous ses états<div class="panel-pane pane-views pane-colloque-programme-enligne" style="background-color: white; color: #444444; font-family: arial; font-size: 12px;">
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<span lang="FR" style="font-family: "georgia" , serif; font-size: 21pt;">Colloque 322 -
La littérature hispano-américaine dans tous ses états<o:p></o:p></span></div>
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<span lang="FR" style="color: #777777; font-family: "georgia" , "serif"; font-size: 10.5pt;">Jeudi 12 mai de 13 h 00 à 16 h 45.<o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Responsable(s)</span></b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><a href="http://www.acfas.ca/user/3069/" target="_blank"><span lang="FR" style="color: #0085dd; mso-ansi-language: FR;">Carolina</span><span lang="FR" style="color: #0085dd; text-decoration: none;"> <span style="text-transform: uppercase;">FERRER</span></span></a></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <i>UQAM - Université du Québec à Montréal</i>,
Caroline <span style="text-transform: uppercase;">HOUDE</span> <i>Université
Laval</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Description</span></b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">La littérature hispano-américaine a connu un grand
essor depuis l’après-guerre. En effet, de nombreux écrivains de ces latitudes —
Borges, Carpentier, Neruda, García Márquez, Cortázar, Vargas Llosa et beaucoup
d’autres — sont devenus mondialement célèbres pendant les années 1960 et 1970.
En particulier, plusieurs romanciers ont participé au mouvement connu sous le
nom de « boom hispano-américain » (Rodríguez Monegal, 1972; Donoso, 1970).
Cette riche production littéraire a été amplement étudiée, non seulement à
l’échelle locale, mais aussi par des chercheurs du monde entier. Cependant,
certains essayistes de la région se questionnent sur la pertinence des
approches utilisées pour analyser les productions littéraires de ces écrivains,
car, trop souvent, les critiques européens ou nord-américains ne tiendraient
pas véritablement compte des particularités locales de cette littérature
(Fernández Retamar, 1975; Cornejo Polar, 1997; Osorio, 2007). Par ailleurs,
depuis la fin du boom, décrétée en 1973, les écrivains hispano-américains ne
reçoivent pas la même attention critique. Néanmoins, plusieurs nouvelles
générations d’écrivains ont vu le jour : Onda, Crack, McOndo, le nouvel
indigénisme et autres.<o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Ce colloque s’intéressera à l’état de la
littérature hispano-américaine. Il sera question de mettre en lumière la
réception critique actuelle des œuvres des écrivains hispano-américains du
boom, ainsi que de ceux qui les ont précédés et qui leur ont succédé. Il
s’agira aussi de faire le point sur les différentes approches théoriques et
critiques — postmodernité, postcolonialisme, hybridité, mondialisation et
autres — utilisées en Amérique latine et dans le reste du monde pour étudier la
littérature du sous-continent. Finalement, les participants seront invités à
présenter leurs recherches sur les principales thématiques de cette
littérature : la violence d’État, la dictature, les migrations, le nouvel
indigénisme, l’écriture au féminin, la mémoire, l’identité et autres.<o:p></o:p></span></div>
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<b><span lang="FR" style="color: white; font-family: "georgia" , "serif"; font-size: 12.0pt;">Jeudi 12 Mai 2016</span></b><b><span lang="FR" style="color: white; font-family: "georgia" , "serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10.0pt;">13 h 00 - 14
h 45</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Littérature hispano-américaine
extra-muros</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Communications orales<o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Présidence/animation :
Caroline</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">HOUDE</span> <i>Université Laval</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Bâtiment – Local : Pavillon Sainte-Catherine (V) – V-2445<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="315294"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">13 h 00<o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Jason</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">ROY</span> <i>Université de Sherbrooke</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><i><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">La Neuvième</span></i></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> </span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">de Beethoven
dans</span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <i>Los
pasos perdidos</i></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> : une
œ</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">uvre symphonique et politique comme pilier du roman
d’</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Alejo Carpentier</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315255"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">13 h 20<o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Hugh</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">HAZELTON</span> <i>Université Concordia</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">L’</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">exil
et l’</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">adaptation : thématique de la littérature
latino-américaine du Québec</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315279"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">13 h 40<o:p></o:p></span></div>
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</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image002.gif" v:shapes="Imagem_x0020_3" width="13" /><!--[endif]--></span></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Lady</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">ROJAS</span> <i>Université Concordia</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">La représentation de la femme andine
contemporaine <o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315305"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">14 h 00<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315305"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; text-decoration: none;"><!--[if gte vml 1]><v:shape id="Imagem_x0020_4"
o:spid="_x0000_i1029" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315305"
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</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image002.gif" v:shapes="Imagem_x0020_4" width="13" /><!--[endif]--></span></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Licia</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">SOARES DE SOUZA</span> <i>UQAM -
Université du Québec à Montréal</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">La guerre de Canudos vue par Euclides da Cunha et Mario Vargas Llosa<o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315323"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">14 h 20<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Discussion<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="315152"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">14 h 45<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Pause<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 10.0pt;">15 h 00 - 16 h 45</span><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Borges et après</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Communications orales<o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Présidence/animation :</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> </span><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><a href="http://www.acfas.ca/user/3069/" target="_blank"><span lang="FR" style="color: #0085dd; mso-ansi-language: FR;">Carolina</span><span lang="FR" style="color: #0085dd; text-decoration: none;"> <span style="text-transform: uppercase;">FERRER</span></span></a></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <i>UQAM - Université du Québec à Montréal</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Bâtiment – Local : Pavillon Sainte-Catherine (V) – V-2445<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="315272"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">15 h 00<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315272"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; text-decoration: none;"><!--[if gte vml 1]><v:shape id="Imagem_x0020_5"
o:spid="_x0000_i1028" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315272"
style='width:9.75pt;height:9.75pt;visibility:visible;mso-wrap-style:square'
o:button="t">
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o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image002.gif" v:shapes="Imagem_x0020_5" width="13" /><!--[endif]--></span></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Roxane</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">MAIORANA</span> <i>UQAM - Université du
Québec à Montréal</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Le dés-ordre littératien dans </span></b><b><i><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Monsieur le Président </span></i></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">de
Miguel Ángel Asturias</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315287"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">15 h 20<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315287"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; text-decoration: none;"><!--[if gte vml 1]><v:shape id="Imagem_x0020_6"
o:spid="_x0000_i1027" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315287"
style='width:9.75pt;height:9.75pt;visibility:visible;mso-wrap-style:square'
o:button="t">
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o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image002.gif" v:shapes="Imagem_x0020_6" width="13" /><!--[endif]--></span></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Juan Sebastian</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">ROJAS
MIRANDA</span> <i>Université Paris Ouest Nanterre La Défense (Paris 10)</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Poètes marginaux chez Roberto Bolaño :
désacralisation et sacralisation de la littérature </span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315262"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">15 h 40<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315262"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; text-decoration: none;"><!--[if gte vml 1]><v:shape id="Imagem_x0020_7"
o:spid="_x0000_i1026" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315262"
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o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image002.gif" v:shapes="Imagem_x0020_7" width="13" /><!--[endif]--></span></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;"><o:p></o:p></span></div>
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<span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Caroline</span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <span style="text-transform: uppercase;">HOUDE</span> <i>Université Laval</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
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<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">L’enjeu du Troisième Reich dans la littérature
hispano-américaine : de Borges à Bolaño</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315238"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">16 h 00<o:p></o:p></span></div>
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<a href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315238"><span style="color: #0085dd; font-family: "arial" , "sans-serif"; font-size: 8.5pt; text-decoration: none;"><!--[if gte vml 1]><v:shape id="Imagem_x0020_8"
o:spid="_x0000_i1025" type="#_x0000_t75" alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png"
href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c#315238"
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o:title="anchor"/>
</v:shape><![endif]--><!--[if !vml]--><img alt="http://www.acfas.ca/sites/all/themes/contrib/acfas_kiwad_ii/images/anchor.png" border="0" height="13" src="file:///C:\Users\Licia\AppData\Local\Temp\msohtmlclip1\01\clip_image002.gif" v:shapes="Imagem_x0020_8" width="13" /><!--[endif]--></span></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;"><o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><a href="http://www.acfas.ca/user/3069/" target="_blank"><span lang="FR" style="color: #0085dd; mso-ansi-language: FR;">Carolina</span><span lang="FR" style="color: #0085dd; text-decoration: none;"> <span style="text-transform: uppercase;">FERRER</span></span></a></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <i>UQAM - Université du Québec à Montréal</i></span><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: 13.5pt; margin-bottom: 7.5pt;">
<b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">La complexité narratologique contemporaine :
de</span></b><b><i><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> Fictions </span></i></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">de
Jorge Luis Borges à</span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> <i>Origine</i></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"> de
Christopher Nolan</span></b><b><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"></span></b><b><span lang="FR" style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><o:p></o:p></span></b></div>
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<a href="https://www.blogger.com/null" name="315333"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">16 h 20<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Discussion<o:p></o:p></span></div>
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<a href="https://www.blogger.com/null" name="315334"></a><span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 8.5pt;">16 h 45<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;">Mot de clôture</span><br />
<span style="color: #444444; font-family: "arial" , "sans-serif"; font-size: 9.0pt;"><a href="http://www.acfas.ca/evenements/congres/programme/84/300/322/c">http://www.acfas.ca/evenements/congres/programme/84/300/322/c</a><o:p></o:p></span></div>
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Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-87608477966183216842016-04-08T18:52:00.001-07:002017-10-01T21:38:34.837-07:00Au revoir, Renée!sexta-feira, 8 de abril de 2016<br />
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Au revoir, Renée!<br />
<br />
Ce dimanche, le 3 avril 2016, a été très triste. Mon amie Renée Legris nous a quittés. Nous avons été très proches pendant trente ans; une proximité qui a commencé sur le plan académique ( elle a été ma codirectrice de thèse), et a conduit à une amitié solide me remplissant de bonheur.<br />
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Même séparées par l’océan, nous avons maintenu une correspondance constante à travers laquelle je suivais ses joies intellectuelles et familiales, ainsi que ses tristesses face aux deuils qu’elle a traversés. Elle suivait de même mes différents vécus, en me motivant toujours à poursuivre mes projets les plus chers. Je me suis habituée à faire des plans en pensant aux opinions qu’elle allait en émettre.
Le départ de Renée peut être une perte non seulement pour moi, mais aussi pour le Québec et le Canada. Elle a publié plusieurs ouvrages et articles sur les dramatiques à la radio et à la télévision.<br />
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Elle a constitué, avec Pierre Pagé son époux, la collection microfilmée Archives de la littérature radiophonique québécoise. Réalisatrice et animatrice d'émissions culturelles à CIRA-FM 91,3 de 1995 à 2001 (auxquelles j'ai participé), elle a publié en 2004 " Hubert Aquin et la radio". Son ouvrage "Histoire des genres dramatiques à la radio québécoise" conclut une longue recherche sur la création radiophonique d'oeuvres théâtrales au Québec. Elle a déjà présidé la Association for the Study of Canadian Radio and Television avec la revue Fréquence/Frequency à laquelle j’ai collaboré. Et elle aussi collaborait à nos revues brésiliennes avec des articles toujours originaux sur les dramatiques.
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L’absence corporelle de Renée, la suspension de nos conversations in praesentia, nous oblige à briser des habitudes, à réinventer une sémiose des relations qui travaillera avec la mémoire de nos vécus. La mémoire, on le sait, compense l’absence physique par les souvenirs. Elle fonctionne comme un réservoir d’échos sensibles qui permet les combinaisons de sens et pensées. Nous savons également que les combinaisons éventuelles de parties de ces souvenirs ne viseront pas seulement le passé, mais elles seront capables d’articuler de nouveaux montages de sens menant aux voyages imaginaires en direction de l’avenir. C’est de cette manière que les absents peuvent être toujours près de nous.
Le cheminement dans les méandres de la mémoire, dans les croisées de notre histoire individuelle et collective, demande une méthode de consultation régulière à tout l’ensemble d’expériences vécues.<br />
<br />
C’est le moment où la saudade transforme la douleur en souvenirs vivants et créatifs. La larme la plus belle est celle de la saudade : mot portugais qui évoque un sentiment de nostalgie toute particulière que les Portugais ont transmise aux Brésiliens. C’est la présence d’un passé dans le présent, qui fait du bien et qui fait du mal à la fois. Il faut être courageux pour se remémorer le passé concret perdu, le montrer du doigt, l’affronter, et le rendre producteur de relations.
Renée était une femme d'une dimension humaine indescriptible. De l'Université du Québec , j'ai eu un légat académique important, mais le plus précieux c'est d'avoir eu la chance de développer une amitié profonde avec mes professeures et mes collègues avec une interaction humaine fondamentale pour ma croissance comme personne. La communication constante avec Renée commence à me manquer, mais cela devient saudade et ennoblit mon âme.Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-13713631951127347702016-01-24T06:50:00.002-08:002017-10-16T15:17:08.856-07:00Colloque Acfas 2016Ver em: crilcq<br />
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Proposition de Colloque
Figures littéraires des espaces en devenir au Québec et au Brésil (XXe –XXIe siècles) :
conflits, traumatismes, interconnexions<br />
<br />
Du lundi 9 au mardi 10 mai 2016<br />
<br />
<br />
Responsable(s) :
Brigitte THIERION, Université Sorbonne-Nouvelle (Paris 3)
Licia SOARES DE SOUZA, Université du Québec à Montréal/Université de Bahia-Brésil (UNEB), CNPq.
Rita OLIVIERI-GODET, Université Rennes 2-ERIMIT / IUF
Description<br />
<br />
<br />
<br />
<br />
Ce colloque s’inscrit dans la continuité des recherches sur les relations littéraires interaméricaines à partir d’une perspective comparatiste entre le Québec et le Brésil. Il regroupe notamment des chercheurs des universités québécoises, brésiliennes et françaises pour qui, chaque année, le Congrès de l’ACFAS est devenu un lieu propice à ce travail d’échanges et de réflexion partagée.
L’examen des figurations littéraires et cinématographiques des "espaces en devenir" se trouve au cœur du colloque. Inspirée, entre autres, des travaux de Patrick Imbert, la perspective adoptée nous amène à prendre en considération la dynamique du changement spatial et du dépassement de frontières rigides. Pour ce faire, on privilégiera l’analyse des productions artistiques québécoises et brésiliennes récentes qui, sans oblitérer les conflits, les crises, les traumatismes, mettent en scène des processus d’articulation des espaces qui permettent la circulation et la (re)contextualisation d’expériences et de cultures singulières. Ces figurations disloquent la logique territoriale pour laisser émerger des espaces-seuil qui s’inspirent de la logique du réseau, ayant recours à des pratiques discursives qui cherchent à dépasser les rapports dualistes. Quels sont les enjeux esthétiques et théoriques d’un tel choix de figuration ? Quelles seraient les images des espaces en devenir que ces productions mettent en scène ? Seraient-elles des formes nouvelles d’habiter les Amériques ? Comment construisent-elles des formes d’organisation spatiale ouvertes au dynamisme du mouvement et à la complexité des interactions ? Comment figurent-elles le dépassement, par les acteurs sociaux, des expériences extrêmes des espaces totalitaires ? Afin d’apporter des éléments de réponses à ces questions, nous proposons de structurer notre réflexion autour de deux axes :
1 – Espaces-seuil : conflits et interconnexions
Etude des formes de productions littéraires et cinématographiques qui explorent les représentations des espaces mobiles, hybrides, des espaces-seuil, espaces en devenir qui nous amènent à réfléchir sur les réorientations identitaires. Il s’agit en effet de privilégier l’examen de productions artistiques brésiliennes et québécoises qui mettent en lumière les rapports complexes que les contextes identitaires locaux et les acteurs sociaux subalternes peuvent entretenir avec la dynamique du réseautage (Patrick Imbert) et les hétérogénéités culturelles.
2 – Espaces concentrationnaires : traumatismes et transgressions
Etude des formes de productions littéraires et cinématographiques (récits fictionnels et à vocation testimoniale) issues d’expériences extrêmes de lieux concentrationnaires comme les camps, les prisons, les asiles, les réserves amérindiennes, etc. Réflexion sur leurs représentations, sur les stratégies d’appropriation du lieu par le sujet qui l’occupe et sur l’affrontement et/ou le dépassement du traumatisme par l’écriture.
En réunissant des chercheurs spécialistes des littératures et cultures québécoise et brésilienne, ce colloque vise à promouvoir un large débat entre les différents participants en prévoyant des conférences-débats, des tables rondes, des présentations de communications y compris celles de quelques jeunes chercheurs.
Les participants doivent envoyer leur proposition au plus tard le 15 février 2016 aux adresses suivantes:liciasos@hotmail.com, rgodet@9online.fr et brigitte.thierion@free.fr.
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https://gallery.mailchimp.com/49ec13b6a397df1d88429314a/images/010b3622-2ba2-4910-abb3-791945a05717.jpg<br />
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PROGRAMME DU COLLOQUE
Figures littéraires des espaces en devenir au Québec et au Brésil (XXe –XXIe siècles):
conflits, traumatismes, interconnexions<br />
<br />
Du 9 au 10 mai 2016<br />
<br />
Responsable(s) :
Brigitte THIERION, Université Sorbonne-Nouvelle (Paris 3 / CREPAL)
Licia SOARES DE SOUZA, Université du Québec à Montréal/Université de Bahia-Brésil
Rita OLIVIERI-GODET, Université Rennes 2-ERIMIT / IUF<br />
<br />
<br />
<br />
<br />
Description<br />
<br />
<br />
Ce colloque s’inscrit dans la continuité des recherches sur les relations littéraires interaméricaines à partir d’une perspective comparatiste entre le Québec et le Brésil. Il regroupe notamment des chercheurs des universités québécoises, brésiliennes et françaises pour qui, chaque année, le Congrès de l’ACFAS est devenu un lieu propice à ce travail d’échanges et de réflexion partagée.
L’examen des figurations littéraires et cinématographiques des "espaces en devenir" se trouve au cœur du colloque. Inspirée, entre autres, des travaux de Patrick Imbert, la perspective adoptée nous amène à prendre en considération la dynamique du changement spatial et du dépassement de frontières rigides. Pour ce faire, on privilégiera l’analyse des productions artistiques québécoises et brésiliennes récentes qui, sans oblitérer les conflits, les crises, les traumatismes, mettent en scène des processus d’articulation des espaces qui permettent la circulation et la (re)contextualisation d’expériences et de cultures singulières. Ces figurations disloquent la logique territoriale pour laisser émerger des espaces-seuil qui s’inspirent de la logique du réseau, ayant recours à des pratiques discursives qui cherchent à dépasser les rapports dualistes. Quels sont les enjeux esthétiques et théoriques d’un tel choix de figuration ? Quelles seraient les images des espaces en devenir que ces productions mettent en scène ? Seraient-elles des formes nouvelles d’habiter les Amériques ? Comment construisent-elles des formes d’organisation spatiale ouvertes au dynamisme du mouvement et à la complexité des interactions ? Comment figurent-elles le dépassement, par les acteurs sociaux, des expériences extrêmes des espaces totalitaires ? Afin d’apporter des éléments de réponses à ces questions, nous proposons de structurer notre réflexion autour de deux axes :
1 – Espaces-seuil : conflits et interconnexions
Etude des formes de productions littéraires et cinématographiques qui explorent les représentations des espaces mobiles, hybrides, des espaces-seuil, espaces en devenir qui nous amènent à réfléchir sur les réorientations identitaires. Il s’agit en effet de privilégier l’examen de productions artistiques brésiliennes et québécoises qui mettent en lumière les rapports complexes que les contextes identitaires locaux et les acteurs sociaux subalternes peuvent entretenir avec la dynamique du réseautage (Patrick Imbert) et les hétérogénéités culturelles.
2 – Espaces concentrationnaires : traumatismes et transgressions
Etude des formes de productions littéraires et cinématographiques (récits fictionnels et à vocation testimoniale) issues d’expériences extrêmes de lieux concentrationnaires comme les camps, les prisons, les asiles, les réserves amérindiennes, etc. Réflexion sur leurs représentations, sur les stratégies d’appropriation du lieu par le sujet qui l’occupe et sur l’affrontement et/ou le dépassement du traumatisme par l’écriture.<br />
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<br />
Lundi 9 Mai 2016<br />
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Mot d'ouverture : Licia Soares de Souza (UNEB/UQAM/CNPq) ; Rita Olivieri-Godet (Rennes2-ERIMIT/IUF) ; Brigitte Thiérion (Sorbonne-Nouvelle/CREPAL)
Horaire : 9 h 30 - 10 h 00
Conférence: Les territoires imaginaires de l’altérité
Patrick IMBERT (Université d’Ottawa)
Horaire : 10 h 00-10h45
10 h 45 Débat
Table 1
Communications orales
Horaire : 11 h 00 – 12 h 30
Présidence/animation : Brigitte THIERION Université Sorbonne-Nouvelle/CREPAL
11 h 00 Les Amérindiens dans les lettres québécoises et brésiliennes
Simon Harel Université de Montréal ; Rita Olivieri-Godet Univ. Rennes2 / IUF
11 h 40 Finit l'inertie! Un regard sur l'évolution de la prise de parole innue d'après les écrits d'An Antane Kapesh et Natasha Kanapé Fontaine
Hélène Destrempes Université de Moncton
12 h 00 Débat
12 h 30 Pause déjeuner
Table 2
Communications orales
Horaire : 15 h 00 - 16 h 30
Présidence/animation : Licia Soares de Souza Université du Québec à Montréal/UNEB
15:00 L’espace hors-cadre de l’étranger au cinéma : aliénation, transgression et le désir déchirant de devenir l’autre
Hudson Moura Université de Toronto
15:20 Entre cinéma et littérature, d’autres représentations du Sertao?
Alberto da Silva Université Paris-Sorbonne/CRIMIC
15:40 Avalovara, de Osman Lins: traduction des espaces-seuils du roman
Germana Henriques Pereira Universidade de Brasília
16 h00 Débat
16 h 30 Pause
Témoignages
Horaire : 16 h 45 - 17 h 25
Le chronotope de l'américanité: espace-temps de l'identité continentale
Jean-François Côté UQAM
Relations interaméricaines Brésil/Québec
Licia Soares de Souza UQAM/UNEB
Mardi 10 Mai 2016
Table 1
Communications orales
Horaire : 14 h 00 – 15 h 30
Présidence/animation : Rita Olivieri-Godet Université Rennes 2-ERIMIT/IUF
14 h 00 Hochelaga Imaginaire: une expérience géopoétique en milieu urbain
Bertrand Gervais Université du Québec à Montréal
14 h 20 Montréal et São Paulo dans la dynamique narrative de Monique Proulx et Luiz Ruffato
Licia Soares de Souza Université du Québec à Montréal/UNEB
14 h 40 La parole écrite: entre la loi et la marginalité
Ivete L. C. Walty
15 h 00 Débat
15 h 30 Pause
Table 2
Communications orales
Horaire : 15 h 45 - 17 h 15
Présidence/animation : Hélène Destrempes Université de Moncton
15 h 45 Création littéraire, figurations identitaires et spatiales dans Primeiro de abril, narrativas da cadeia de Salim Miguel
Luciana Wrege Rassier Universidade Federal de Santa Catarina
16 h 05 Dialogues mythiques et poétiques : espaces symboliques de la réconciliation
Brigitte Thiérion Université Sorbonne Nouvelle-Paris 3/CREPAL
16 h 25 Éclatement des espaces et Territoires sous réserve : la quête éperdue d’un Tiers-Espace métis en Terres d’Amériques…
Jean Morisset Géopoète
16 h 45 Débat
Horaire : 17 h 15 – 17h45
https://picasaweb.google.com/111979834935809363701/LiciaSoaresDeSouzaACFAS
Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0tag:blogger.com,1999:blog-7319305016807401316.post-74903591152023051852016-01-24T06:45:00.001-08:002019-08-17T09:14:07.245-07:00Ich bin nicht GoetheGoethe Institut, Salvador-Brasil.<br />
<br />
ICBA- Instituto Cultural Brasil Alemanha, 03-12-2015.<br />
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<br />
<br />
Ich bin keine Dichterin.
Ich bin nicht Goethe.
Aber ich kann Liebesliedchen von Herzen dichten.
Mein Herz schlägt mit meinen Augen.<br />
Sie schaffen zusammen Stürme.<br />
Sie schieken Blitze, die sehnliche Wörter schreiben.<br />
Ich kann auf den Grund des Brunnens fallen
Ich komme mit einem zärtlichen Wörter Strauss zurück.
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Ich bin nicht Humboldt.
Aber ich kann die Natur umarmen.
Jedes lebendige Sein verstehen.
Insekten, Pflanzen, Vögel, Meereswesen;
Alle sind mehr als ein Sein.
Sie sind die Begriffe der Welt,
Die Werte der Menschheit
die die Lieder, Lobgesänge und Gebete erlauben,
und meine Sätze berreichern.<br />
<br />
Mein LieblingsBild ist ein bunter Park im Herbst,
den ich mit meinem Schatz durchquere.
Gestern habe ich unter einem Baum geschlafen.<br />
In meinem Traum, hat mich der Dichter Drummond
nach seinem Sclüssel gefragt.
Ich habe ihn bei Goethe vergessen, sagte ich.
Ich habe viel geliebt und meiner Stürme sind gewaltig.
Der Dichter von Minas hat hingegen gesagt:<br />
Der Schlüssel öffnet gar nicht Liebes Ausbrüche.
Er organisiert keine Sparziergänge.
Der Schülussel ist eine Feder.
Geh und denk nach
Dann habe ich Goethe und Humboldt getroffen .
Sie sagten mir: Schweig und hör die Bewegung der Wörter.
Pass auf jeden Vokal auf, sie veränderen sich in Farbe.<br />
Das ist die Idee unseres Freundes Rimbaud.<br />
Riech jede Silbe, sie haben das Parfum der Korrespondez,
die beste Gedanken Baudelaires.
Ruf und Schreie...<br />
Deine Stimme muss nicht stark oder schwach sein.
Sie ist eine wohlklingede Feder.
Und wenn wir dich gehört haben,
können wir deinem Verständnis in unserer Welt mit ihren Zeichen folgen.<br />
Ja, du bist nicht wir.
Das ist nicht einfach Goethe oder Humboldt zu sein.
Aber wer hat den Leuten gesagt,
dass man es nicht schätzt,
wenn ein kleiner Vogel
ein schöner Kanarienvogel zu sein versucht?
Versuchen ist nicht verboten.Licia Soares de Souzahttp://www.blogger.com/profile/05919992471350600657noreply@blogger.com0